Best of 3

Something to add to the debate regarding the proposed resale royalties scheme : a bill has been put before the US Congress (for the fifth ti...

As part of my job (one of the best parts) I'm meant to spend an hour a day learning about web-related things. I wish that when I worked ...

Okay - a phrase. 'Email bankruptcy' - when you're so far behind on replying to your email that you quit trying to catch up, and ...

An engrossing article published in the Los Angeles Times over the weekend documented the annual LACMA (Los Angeles County Museum of Art) Col...

That's Jerry Saltz's alternative title for Alanna Heiss's 'Not for sale' exhibition at P. S. 1 - a collection of works b...

Reviewing 'High Times, Hard Times: New York Paintings 1967-1975', Jerry Saltz show that you can turn art history into a good exhibit...

Yep, lame cracks abound in articles about the Guggenheim's new exhibition detailing the repair of its disintegrating facade. The New Yor...

Follow the links from commentary from: Jim Barr and Mary Barr: Overthenet.blogspot.com John Hurrell et al: Artbash.co.nz Michael Smither and...

The heat on this issue has been turned up from 'simmer' to 'rolling boil' (or whatever - I'm not the cook) with the Mini...

Perhaps as a profile-building exercise in the face of the new Art + Object auction house publicity attack , Webbs have just been announced a...

Artbash is calling for a new name (on the basis that the current one screams of negativity. This point is disputed by John Hurrell, who fee...

Following on from yesterday's Clean | Fresh | Pure | Angus - 'Pure' is an exhibition at New York's Sean Kelly Gallery, fea...