Best of 3

Ioana Gordon-Smith for Pantograph Punch:  From the Margins to the Mainstream: Pacific Sisters at Te Papa . I'm fascinated by this mode...

“The Turner Prize changed all sorts of things,” she said. “Now, if I say I want something, people try and do it for me, and that’s never ha...

Women getting fired "The Museum World Is Having An Identity Crisis, And Firing Powerful Women Won’t Help", read a March 19 headl...

In light of Helen Molesworth's abrupt departure from LA MOCA, apparently because of tension between her programming priorities and those...

Seeing Steve Carr's 9-screen video work  Screenshots  last weekend, on loan from the Chartwell Collection for Te Papa's new colour-t...

Having just come off two big loosely themed shows (the NGV Triennial and the Sydney Biennale), I'm feeling the need for a tightly curate...

A 10 minute presentation given as part of a panel discussion on current trends in the museum and gallery sectors at the Public Galleries Sum...

Re-upping this Julia Halperin piece,  How the Dana Schutz Controversy—and a Year of Reckoning—Have Changed Museums Forever , because is make...

Read this, if you read nothing else: Julia Halperin's round-up of comments from directors and curators for artnet News,  How the Dana Sc...

'Would you burn the Mona Lisa if it was sent?' - a detailed and really interesting account, less of how Australian biosecurity ende...

A thorough review by Roberta Smith for the NYT of  “Outliers and American Vanguard Art” at Washington's National Gallery of Art. Five ...

Turns out if I don't write these posts regularly I just end up with dozens of open tabs waiting for my attention ... Michael Parry of ...