Best of 3

On Deaccessioning Like cicadas, elected officials seem to follow a periodical cycle: driven by some hidden biological cue, on a regular ba...

An excellent and topical piece by Adam Goodall for the Pantograph Punch,  The Difficult History and Precarious Future of the PACE Programme ...

A deeper than expected article on artist-branded merchandise from The Guardian - Van Gogh leggings and Tracey teacups: how art merch broke o...

Creative New Zealand recently released New Zealanders and the Arts , their regular research into how the arts are being experienced and perc...

Victoria University of Wellington is currently running a change proposal for the School of Art History, Classics and Religious Studies . Acc...

Wow. That was a long break. Back into it then ... I've done a lot of thinking about Kaywin Feldman's (the director of Minneapolis...

The Baltimore Museum of Art has announced plans to sell seven works by white male artists from its collection, to create an endowment targe...

Ioana Gordon-Smith for Pantograph Punch:  From the Margins to the Mainstream: Pacific Sisters at Te Papa . I'm fascinated by this mode...

“The Turner Prize changed all sorts of things,” she said. “Now, if I say I want something, people try and do it for me, and that’s never ha...

Women getting fired "The Museum World Is Having An Identity Crisis, And Firing Powerful Women Won’t Help", read a March 19 headl...

In light of Helen Molesworth's abrupt departure from LA MOCA, apparently because of tension between her programming priorities and those...

Seeing Steve Carr's 9-screen video work  Screenshots  last weekend, on loan from the Chartwell Collection for Te Papa's new colour-t...