Jori Finkel in the New York Times, on dealer galleries underwriting shows of their artists' work in public art galleries. Institutions draw the line in different places: MoCA received 6-figure sums from Blum & Poe, Gagosian Gallery and Emmanuel Perrotin to underwrite its current Takashi Murakami show; the Walker Art Center regularly accepts donations from dealer galleries to underwrite catalogues, but not exhibitions; MoMA and the Met won't take dealer contributions for shows or publications.
Inside Higher Ed asks if university museums are academic units: 'To what degree is a college art museum considered central to an academic mission, and to what extent is it seen primarily as a financial asset?'
Jerry Saltz does some Guerilla Girls-style counting at MoMA: 'Each fall since MoMA’s reopening in November 2004, I’ve gone to these two floors, counted the number of artworks on view, tallied the number of women artists included, and then pitched a fit in print.'
Nothin against MoMA though: equally dismal amounts of art by women artists are on show (or not) at 6 other New York museums.