Vu Le's (of 'Non-Profit With Balls') post Hey, you want nonprofits to act more like businesses? Then treat us like businesses.
This excerpt from Ruth Bernard Yeazell's Picture Titles: How and Why Western Paintings Acquired Their Names which draws on Gombrich's observation that titling of artworks became more common when the mobility of artworks (a painting's likelihood of being moved from one location to another, from one audience to another) grew.
Nina Simon's prep piece for a twitter live-chat about donations/giving and cultural organisations. Nina's observations about how moving into a fundraising role has made her think more about her own giving are fascinating. She also points to the elephant in the room:
I became more and more aware of the screwed-up societal inequities that make philanthropy possible. One of the ways we redistribute wealth in an inequitable society is by asking rich people to voluntarily donate. And then we celebrate their generosity, rarely questioning why they had the capacity to give in the first place. Especially in the arts, research shows an alarming imbalance in what kinds of organizations have access to grants and donations. Our system of philanthropy often reinforces the inequity that it theoretically has the power to disrupt.This lengthy interview with Seb Chan (who joined ACMI this year as Chief Experience Officer) about the evolution of his career - a gem for understanding how 'digital' has evolved in museums this century.
Russell Davies breaking down a panel discussion on the future of the BBC (sounds dry, is actually fascinating and, well - depressing).
The NYT on the appointment of Nancy Spector (ex-Guggenheim) as chief curator at the Brooklyn Museum, an institution of which I'm extremely.
Something old, but new: this week we digitised the Bone Stone Shell catalogue at work, so it's now available online to download and read.