This statement was published in the first issue:
The idea for this magazine was first floated at the ANZART Feminist Art Seminar in May 1985. Concern at the general lack of a forum for critical discussion, especially in the visual arts, was voiced frequently during the weekend seminar. We were also aware that And was shortly due to publish its last issue.
A chance meeting at a pre-Festival screening of No Time for Tears led to a further discussion: we decided to put out a limited issue magazine ourselves.
Antic is exploring issues in critical practice, theory, and related work in fiction; encouraging dialogue between disparate disciplines, approaches and texts.
Antic hopes to foreground aspects of a growing body of work dealing with recent directions in feminist and other theoretical practices often ignored by existing art publications in New Zealand.
Page art is an integral aspect of the magazine.
Below is the entire contents list for Antic. Article abstracts, where available, have come from the Index New Zealand website. an invaluable record of New Zealand's journal and magazine publishing history.
* * *
Antic 1
June 1986
Editors Susan Davis, Elizabeth Eastmond and Priscilla Pitts
Copyright reverts to authors on publication
Published with assistance from The Queen Elizabeth II Arts Council of New Zealand and The New Zealand Literary Fund
Price: $8
Cover: Jenny Dolezel
Contents
Julie Ewington
Past the Post: Postmodernism and Postfeminism
5-21
Merylyn Tweedie
The woman
22
Dawn Danby
The Power of The Word
34-43
Ngahuia te Awekotuku in conversation with Elizabeth Eastmond and Priscilla Pitts
44-55
Maria Olsen
Drawings
56-58
Anne Maxwell
Poststructuralist and Feminist Literary Theories: The Problematic Relation
59-72
Francis Pound
Nationalist Antitheses: A Compendium
73-84
John Hurrell
Driving on two wheels down a one-way street
85-86
Lita Barrie
Remissions: Toward a Deconstruction of Phallic Univocality
87- 104
Altared Positions: A Conversation between Stuart Morgan and Lita Barrie
105-113
Roger Horrocks
‘Reading’ and ‘Gender’ – Watching Them Change
114-128
Susan Davis and Margaret Maxwell
Silence and Animosity: Futures in the Gender Debate
129-138
Denys Watkins
They have their families their leisure they know what to do with their lives
139
* * *
Antic 2
March 1987
Price: $9.50
Editors Susan Davis, Elizabeth Eastmond and Priscilla Pitts
Copyright reverts to authors on publication
Antic is published with assistance from The Queen Elizabeth II Arts Council of New Zealand
Cover: Megan Jenkinson
Contents
Juliet Batten
The Edmonds Cookbook and the Ivory Tower
5-17
Responds to 'Remissions', an article by Lita Barrie (Antic, 1) about feminist artists and critics. Examines the relationship of theorist to artist, and the question of the artist's audience. Discusses the treatment by critics of female sexual imagery in feminist art, and the response of artists to criticism. Looks at the problem of criticism becoming prescriptive or proscriptive rather than descriptive.
Lita Barrie
Further Toward a Deconstruction of Phallic Univocality: Deferrals
18-47
Considers the re-presentation by Lacan of the theory of Freud on women. Analyses academic French feminism since 1968, especially the work of Julia Kristeva, Helene Cixous, and Luce Irigaray. Discusses the nature and methods of feminist art criticism. Examines the work of artist Christine Hellyar. Comments on artists Mary Kelly, Claudia Pond-Eyley, Marte Szirmay, Barbara Kruger, Merylyn Tweedie, Pauline Rhodes, and Jacqueline Fraser.
B.A. Smith
History
48
Adrian Hart
3 Figures
49-55
Anita Segerberg
Puzzleheaded Girls
56-63
Using 'The puzzleheaded girl', a story by Christina Stead, as a starting point, this essay aims to establish the puzzleheaded girl as a type. Considers some of the ways in which this type is represented in film and literature, and discusses female heroes. Looks at 'Breakfast at Tiffany's' by Truman Capote and 'Play it as it lays' by Joan Didion in both book and film versions. Comments on the films 'Desperately seeking Susan', 'Plenty', and ' Vagabonde'.
Christine Webster
A Woman. A Place
64-67
Rod Barnett
House and Garden: A Discourse of Landscape in New Zealand
68-83
Considers conscious attempts to inscribe culture on the land, making the artefacts we have come to call gardens. Looks at these inscriptions as a matter of mythologies which move in and through their societies. This paper looks at one myth (Nature) and its effect on a discipline. The discipline is a number of affiliated activities which find their locus in the creation of landscapes and environments for people.
Christine Hellyar
Landscape Sculpture
84-85
Ian Carter
Death from a (Formerly) Tenured Position
86-96
Looks at the origins and structure of the university system. Analyses and compares British and NZ university novels. Considers the novels of Kingsley Amis, Malcolm Bradbury, David Lodge, M. K. Joseph, Dan Davin and C. K. Stead.
B.A. Smith
Uniforms
97
Lita Barrie
The Simulated Thrust: A Discussion of ‘Wild, Visionary, Spectral: New German Art’
98-110
Discusses this exhibition of the work of thirteen German men artists. Considers the deconstruction by Hal Foster of German neo-expressionism. Questions the absence of women artists in the exhibition. Looks at the work of contemporary German feminist artists.
Robert Leonard
The Adventure That Never Was
111-119
Replies to a paper by Francis Pound, 'Modernism hyphen post hyphen modernism'. Analyses Pound's theories of NZ nationalist art history. Discusses his rejection of the 'hard light' theory as fetishism and argues that Pound is himself guilty of fetishism.
Georgina Murray
‘Peace’ and Meaning
120-135
Looks at definitions of peace, peace consciousness and practice. Explores how the ideological form of art reflects the present moment of peace consciousness. Considers the work of Nigel Brown, Andrew Drummond, Scratch and John Nicol.
Jill Studd
Garuda Crosses the Potomac
136-137
Jill Studd
Garuda Over Mont-Saint Michel
138
Derek Schulz
Savage Love 9
139-141
* * *
November 1987
Price: $9.50
Editors Susan Davis, Elizabeth Eastmond and Priscilla Pitts
Copyright reverts to authors on publication
Antic is published with assistance from The Queen Elizabeth II Arts Council of New Zealand
Cover: John Reynolds
Contents
Anna Neill
French Romance
5-9
Robert Leonard
Just as Revolutionary
10-19
Considers the deployment of ambivalence in advertising. Discusses the citation of radical politics to create positive associations around advertised commodities. Considers the pocket computer PSION ad and the Apple logo. Quotes A. R. D. Fairburn.
Richard Killeen
History of Destruction
20
Richard Killeen
Organic fourness
21
Richard Killeen
From the ashes
22
Anne Maxwell
Reading ‘the bone people’: Toward a Literary Postcolonial National Discourse
23-45
Considers independent nationalism in peripheral nations. Examines the ability of the discourse of 'The bone people' to resist cultural imperialisms, and to give political voice to an emerging concept of nation. Discusses a unified NZ cultural identity, cultural appropriation and modernism. Compares 'Living in the Maniototo' by Janet Frame, 'The heart of darkness' by Conrad and 'The waste land' by Eliot.
Billy Apple
Addendum to ‘Subtraction’: The Given as an Art-Political Statement
46-47
Stephen Davies
The Marriage of Susanna
48-51
Comments on 'The marriage of Figaro' by Mozart. Considers the character of Susanna as deliberately proto-feminist, and discusses her role in the opera and its title.
Donald Bassett
Third Empire? Variation on a Nineteenth Century Theme in New Zealand Postmodern Architecture
52-68
Comments on French motifs and roof types. Discusses the Skyline Restaurant, the Wellington Club, the Chateau Regency Hotel and the Parnell 'La Maison de distinction' townhouses. Mentions Peter Beaven, Roger Walker and Ian Athfield.
Sarah Treadwell
Disturbances: The Architecture of the Ministry of Women’s Affairs – Description of an Architectural Study
Criticises the narrow roles assigned to women students at the School of Architecture. Describes a study by 21 women and 14 men students at the University of Auckland. Uses feminist postmodern theory to relate the tradition of architecture to women. Studies Wellington Government Centre buildings, including the Beehive. Outlines proposals by Justin Marler, Jenny Cook, Tonia Williams, Jane Baldwin, Michael Pepper, Craig Moller, Linley Hindmarsh, and Annette Jones.
Julia Morison
Accessories for a Soft Machine II
89-92
Alex Calder
The Closure of Sense: Janet Frame, Language and the Body
93-104
Relates sense to nonsense in the closure of 'State of siege'. Explores the textual unconscious. Discusses 'Jabberwocky' in 'Through the looking glass' by Lewis Carroll. Considers interpretations by Humpty Dumpty, and Antonin Artaud. Looks at how Artaud rewrote the poem. Refers to schizophrenia.
Richard Killeen
Organic House
105
Plastic is Leather, Fuck You: Chris Kraus talks to ANTIC
106-115
Quotes from 'Foolproof illusions' and 'How to shoot a crime'. Mentions Paul and Denise Maunder. Discusses Mabou Mines, and exploitation of women.
Roger Blackley
The Exhibitions of Maori Art in Auckland 1884-1885: Documents of the New Zealand Art Students Association
116-122
Quotes from a speech by Kennett Watkings. Discusses Maori art and its relationship to Pakeha artists. Relates Watkins' comments to the appropriation of a specifically NZ tradition, and contemporary genocidal discourse.
City Group
Deconstruction in Camera. First Part: Helmar Lerski 1871-1956
123-139
Features the Verwandlungen durch Licht (Metamorphosis through light) exhibition of photographs of Mr Uschatz. Includes translations of criticisms. Considers the portrait as gaining meaning through the movement of inner life as reflected in a given expression.
Juliet Batten
A Question of Gender, a Question of Audience
140
Heather McPherson
Letter
141-142
Wystan Curnow
Landscape and the Body
143-163
Discusses expressive realism and cultural nationalism. Considers that photography has fetishised landscape and the body, draining the potency of their metaphorical conjunction. Explores the female embodiment of the land and the phallic vision, of expressive realist ideology. Suggests that women are excluded from NZ national identity.
* * *
Antic 4
October 1988
Price: $9.50
Editors Tina Barton, Susan Davis, Elizabeth Eastmond and Priscilla Pitts
Copyright reverts to authors on publication
Antic is published with assistance from The Queen Elizabeth II Arts Council of New Zealand
Cover: Judy Darragh
Contents
Fiona Makea Pardington
They’re Lucky in Sweden
1-3
Roger Horrocks
Re-Locating New Zealand
4-14
Letters from London and New York. Focuses on English and American perceptions of NZ, cultural identity, and the relationship of the arts to society.
Jane Zusters
Self Portrait Refusing to Provide Interpretation
15
Andrew Bogle and Denys Watkins
Immendorff in Auckland – an interview
16-30
Jorg Immendorf talks about painting, radicality, Duchamp, Picasso, Penck, Lupertz and Kiefer.
Merle Hallahan
Knitting Pattern
31-34
Stephen Davies
The Marriage of Susanna
35-37
Examines the characterisation of Susanna in 'The Marriage of Figaro' by Mozart. Considers why her importance is often overlooked in favour of the master/servant relationship between Figaro and Count Almaviva.
Laurence Simmons
‘Tracing the Self’: The Self-Portraits of Rita Angus
38-52
Considers the relationship of the 'painting self' and the 'painted self' in self-portraiture. Discusses some of the fifty-five known self-portraits of Rita Angus using the psychoanalytic theory of Jacques Lacan. Focuses on four paintings, dated 1929, 1936-7, 1960-1 and 1966.
You Must Be Barbara Kruger! – an interview (Merylyn Tweedie, Priscilla Pitts, Robert Leonard)
52-64
A Project for Antic by Ralph Paine
65-70
Down Under Deconstruction: An interview with David Wills
71-81
Discusses the writings of Jacques Derrida and their acceptance by academic institutions in France, America and Australia. Considers the political effects of deconstruction on teaching institutions and teachers. Mentions Sarah Kofman, Jane Gallop and Irigaray. Comments on the relationship between psychoanalysis and French feminism.
Sarah Shieff
Reading Gertrude Stein: The Rejection of Closure
82-98
'Melanctha, Or Each One As She May' is the central novella in Stein's collection Three Lives, first published in 1909. It is one of her earliest-published works. The story chronicles the life of Melanctha Herbert, a 'subtle, intelligent, attractive, half-white girl', whose curiosity and wandering ways lead her through variously unfulfilling relationships, always in search of an elusive and ill-defined 'wisdom'. This essay is in five main sections. The introductory section is a collage of voices relating to the creation of 'Melanctha'. Sources are included at the end of each fragment. Within each of the two following sections, 'Rejecting Closure' and 'Wandering', the main axis within each of the parallel strips is generally vertical. Horizontal, 'across-the page' readings form a secondary axis.
Derrick Cherrie
New Physics
99-108
Nick Perry
Am I Rite? And Am I Write? Or Am I Right? Decoding the Singing Detective
109-118
A textual analysis and cultural interpretation of the British television series. Considers the varying emphases of television criticism. Mentions Camille Guy, Clive James, Marshall McLuhan, Kenneth Tynan and George Bernard Shaw. Examines cultural differences between British and American film and television drama as expressions of high culture / popular culture. Mentions George Orwell, Raymond Chandler and Dilys Powell.
Jane Zusters
K. Road Boys
119
Rebecca Tansley
Psycho and Fatal Attraction: Gender Transgression, Feminine Dread and the Mother
120-129
A feminist critique of 'Fatal attraction', a film by Adrian Lyne. Discusses its debt to 'Psycho' by Alfred Hitchcock. Compares the treatment of the principal female characters in terms of the changes in social mores in the intervening period.
Sigrid Jottkandt
‘Oh Bondage Up Yours’ Punk Rock: Towards Feminist Solutions
130-142
Examines the implications inherent in the responses of women to the punk subculture in Britain in the late 1970s. Discusses the increased participation of women in music. Focuses on a female punk rock band, 'The Slits'. Analyses punk images of male and female sexual identity. Argues that punk permitted a liberation for women from certain kinds of sexist behaviour.
Merylyn Tweedie
Dore re-constructs a debate about the vaginal vs. the clitoral
143-159
Contributors
* * *
June 1989
Price: $9.50
Editors Tina Barton, Susan Davis and Priscilla Pitts
Copyright reverts to authors on publication
Antic is published with assistance from The Queen Elizabeth II Arts Council of New Zealand
Cover: Patrick Reynolds
Contents
Ngahuia te Awekotuku
Towards 1990
1-3
Discusses whether Maori have anything to celebrate at NZ's sesquicentenary.
Camille Guy
A ‘Women’s Book’: Is there such a thing?
4-6
Argues that the term woman does not describe a homogeneous group. Questions assumptions about women's reading reflected in the choice of books at the 1988 Women's Book Festival.
Graham Ley
Saturday Night or Sunday Morning?
7-9
Rebecca Tansley
Feminity From Folklore to Film
10-16
Contrasts attitudes to accepted norms of womanly behaviour in 'Little Red Riding Hood' and the film 'Vigil'.
John Nixon
Special Project for Antic
1 Flower
2 Ode to the Epic
3 Untitled Photograph (Russian Porcelain)
4 Cross
5 Manifesto
6 Proposal for Schloss Herrnsheim, Worms, West Germany
17-23
Gary Sangster
NZXI: Positions
24-30
Considers the functions of exhibitions. Backgrounds the development of an Australian national identity, both generally and culturally. Criticises the proportion of resources assigned to the importation of foreign exhibitions, while conceding their value in stimulating debate and encouraging wider understanding of contemporary art. Comments on the trend of Internationalism. Questions the approach of critics who judge Australian art as if in competition with overseas work. Argues that national context is important but also that artificial borders should not prevent efforts to discover commonality.
Jane Pountney
Mt Martha
31-35
Robert Leonard and Stuart McKenzie
Pathetic Projections: Wilfulness in the Wilderness
36-44
Discusses the artistic development of Colin McCahon as a reflection of different philosophies. Analyses, as examples representative of different periods and styles, the paintings 'Takaka : night and day', 'The promised land', 'On building bridges', 'Fourteen stations of the cross' and 'Untitled (the days and nights in the wilderness-)'.
Andrew Drummond
Three Tablets for the Manukau
45-54
Jacqueline Fraser
The Wishing Trees
55
Alice Shopland
Dinner at the This World Café
56-59
Rod Barnett
Agriculture Proxima Sapientiae
60-66
Outlines schools of thought in the history of landscaping. Discusses natural and non-natural meanings in the context of garden design theory. Analyses the design of the garden Villa Lante, near Rome.
Ruth Watson
The Soul is the Prison of the Body
67-74
Christina Barton and Priscilla Pitts
Unearthing Nature: land projects by 4 artists, 1969-1980
75-96
A photoessay of installations in natural surroundings, and naturally occurring artistic effects by Christine Hellyar, Boyd Webb, Pauline Rhodes and Andrew Drummond.
Alexis Hunter
Nine pages from a sketchbook
97-105
An illustrated retelling of snatches of Maori folklore. A paragraph on the significance of Maori legends, drawing parallels with Western myths.
Maureen Lander
Kohukohu or Horeke? An investigation of Charles Heaphy’s ‘View of the Kahu-Kahu, Hokianga River’ 1839
106-119
Discusses confusion over the location illustrated in the ink and watercolour by Charles Heaphy. Examines contemporary writings and pictorial evidence to identify it.
Bruce Barber
Addition
120-125
Examines the etymology of the word perform and its derivatives.
Lucy Macdonald
The Capture of Manuka
126-130
* * *
Antic 6
November 1989
Price: $11
Editors Tina Barton, Susan Davis and Priscilla Pitts
Copyright reverts to authors on publication
Antic is published with assistance from The Queen Elizabeth II Arts Council of New Zealand
Cover: Julia Morison, from Quiddities I – X, 1989
Contents
Ngahuia te Awekotuku
He whakaaro, he whakaahua
1-2
Lita Barrie
Cindy Sherman’s Elaborate Masquerade
3-4
Ruth Watson
Much ado about some bodies: Adventures in the Shed
5-11
Tony Lane
St Eustace: a sequence of images
12-19
Giovanni Intra
Rise
20, 78, 102
Lloyd Geering
McCahon and Christianity
22-31
Barbara Tuck
Impedimenta
32-34
Stuart McKenzie
Celestial Lavatories
35-4
Andrew Bull
Soul of the City
48-49
Imants Tillers and Wystan Curnow
An Exchange of Notes
50-54
Molly de ama
Handguide to Muses and Museology: an excerpt
55-60
Jennifer French
Bush Series 1-4
61-67
Bridget Sutherland
Sign of the Cross
68-79
Luise Fong
Moments of Bloom
80-83
John Hurrell
A brief look at Gilgulim, the doctrine of metempsychosis, and other tents of Lurianic Kabbalism, as revealed on p. 19301 of Imants Tillers’ Book of Power when that was displayed in Wellington in 1989, and in his earlier books Rendezvous with Configuration P and Three Facts
84-104
* * *
Antic 7
June 1990
Price: $11
Editors Tina Barton, Susan Davis and Priscilla Pitts
Guest editor: Laurence Simmons
Copyright reverts to authors on publication
Antic is published with assistance from The Queen Elizabeth II Arts Council of New Zealand
Cover design: Mary-Louise Browne
Endpapers: Ken Orchard, Marginal
Contents
Laurence Simmons
Editor’s Note: The Resistence to Psychoanalysis
1-2
Alex Calder
The Sand in My Eyes: Pleasure, Politics and Watching TV
3-10
Reviews television programme 'The Sandbaggers' commenting on its literary characteristics and its depiction of reality. Examines the fantastical elements in the programme and discusses psychoanalytic theories of fantasy.
Michael Harrison
The Way Animals Behave: Some Appropriations
11-19
Claudia Marquis
Principled Pleasures: Exploring Fantasy in Children’s Literature
20-36
Examines similarities between fantasy in creative-writing and psychoanalytical experience as seen by Freud. Refers to the psychic adventure of the boy Barney in 'The Haunting' by Margaret Mahy. Discusses phantasy as defined by Lacan and investigates the problematic of the subject in Mahy's 'The Tricksters'. Claims that there is a workable relationship between what literary critics call fantasy and what psychoanalysts call phantasy.
Margaret Dawson
KEA nestor notabilis
37-40
Stephen Zepke
Repetitions: Toward a Re-Construction of Phallic Univocality
41-56
Responds to articles by Lita Barrie 'Remissions : toward a deconstruction of phallic univocality' and 'Further toward a deconstruction of phallic univocality : deferrals' (in Antic 1 and 2). Discusses her reactions to feminism in art and the post-structuralist thinkers. Examines work entitled 'A Map of the Dark Continent which is neither dark nor unexplorable' by Ruth Watson.
Neil Pardington
‘Waiter!’
57-59
Bridget Sutherland
Psychoanalysis and the Art of Cbristine Webster
60-69
Rhonda Bosworth
Figure Study/In the Workroom
Ever/out (1989)
h/with (1989)
Their wedding/Mask (1985)
70-74
Laurence Simmons
Language is not Neutral: Killeen’s Feminism
75-94
Examines a series of paintings entitled 'Social Document' by Richard Killeen, which have feminism and a male painter's relationship/reaction to feminism as their central issue. Refers to the writings of Freud. Discusses the politics of difference and stereotypical images of women in art. Outlines the message in Killeen's work and mentions feminist discourse.
Popular Productions, NZ Today 1990
Don’t say a word just look at the pictures
95-104
Terrence Handscomb
How Theoretical is my Neurosis? Schizoanalysis contrecoup Psychoanalysis
105-113
Discusses function of the ego in an analysis of art theory, mentioning traditional psychoanalysts in comparison with Lacanian analysts. Argues that the pertinence of any composite image is not its negotiable meaning, its political, historical or commercial viability, nor its contiguity with a particular body of theory.
>>>>>
Antic 8
December 1990
{This issue was not held by the National Library of New Zealand and I have reconstructed this list using Index New Zealand.}
Ruth Watson
Forget me not : a consideration of Edward Bullmore's 'Self portrait', 19 59
2-3
Reflects on the male and female attributes suggested by the image. Comments on the effect of period on its interpretation.
Robin Craw
Visible difference : nationalist repertoires and the semiotics of place in New Zealand science
4-7
Discusses the effect of the local environment in developing scientific study with a uniquely NZ perspective. Considers how far art and science conform to the notion of the Nationalist Landscape proposed by Francis Pound.Tony Green
Marie Shannon
Calling out around the world
8-9
Ewen McDonald
There are only lovers and others : an interview with Rosalie Gascoigne
10-13
The expatriate artist talks about her work, focusing on the materials she uses. Briefly discusses Colin McCahon.
Allen Meek
Grey mythologies
16-20
Considers the implications of Grey's preface to 'Polynesian Mythology', his collection of Maori narratives. Emphasises the link between ethnography and colonisation. Explores the role of writing in both over-simplifying/distorting and preserving knowledge. Compares Grey's treatment of the original Maori material to the literary revision by Antony Alpers in 'Maori Myths and Tribal Legends'. Comments on attitudes revealed by the use made of Maori legendary figures by pakeha poets and critics James K Baxter, Keith Sinclair and C K Stead.
Rangihiroa Panoho
Another view of the photographs of Laurence Aberhart
22-27
Argues against the interpretation that the photographer's work represents a colonised Maori culture in a state of decay. Suggests that the images trigger associations for Maori of which Aberhart is unaware. Notes that culture is continually evolving.
George Hubbard and Robin Craw
Choice! : beyond kia ora : the paraesthetics of Choice!
28
In a commentary which accompanied the exhibition, questions the definition of Maoriness in relation to art.
Stephen Zepke
Choice! : difference without binary oppositions : a chance for a Choice!
29
Reviews the Auckland exhibition, focusing on the issue of Maori and Pakeha identity as reflected in art.
Bill Hammond
Hooks
30-31
Derek Schulz
The making of 'History and its theatre' : Wayne Barrar, Joanna Margaret Paul, Matt Pine, Frances Jill Studd, Aromea Tahiwi - with Rangihiroa Pan oho inside the Wanganui Regional Museum
32-34
Backgrounds the creation of the exhibition. Discusses contributions of the individual artists, commenting on differences of approach between Maori and Pakeha.
Preface : thoughts on a lost tradition
35-37
Muses about the nature of art and modernism in the arts.
Constructuralist production
Isabella and Lorenzo
38-39
Deborah Lawler-Dormer
Feminine tactical strategies: 'the experimenting video'
40-45
Identifies the issues being explored in feminist experimental videos. Discusses some of the techniques used to change the habitual ways of viewing film. Notes similarities to the theories of writer Luce Irigaray. Includes stills from 'ESOteric EGG SandWitches' by Lynda Earle and 'Lost narratives' by Fiona Gray.
Judy Millar
The elegance of anxiety : a two-page poem
46-47
Peter Wells
I ain't no faggot
48-49
Describes how the 1 minute 59 second film 'A Taste of Kiwi' points out the relationship between a Steinlager television commercial advertising rugby and male homosexual pornography.
Michael Stevenson
Moon fever hits Inglewood
50-51
Rebecca Tansley
Self-centred cinema : language and the writer in 'An angel at my table'
52-53
Explores the nature of autobiography and that of role transfer in the filming and acting of autobiography. Discusses the importance of language to Frame as revealed through the written autobiography, and indicates ways in which the film adaptation tries to show this.
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