Saturday, 23 May 2009

Web muster


Recently, Over the Net drew attention to Victor Berezovsky's new mural on the front of Freyberg Pool, and the expert committee that approved the work. This week, Ed Winkleman posted on debates around whether the public is the best judge of public art, drawing on Jonathan Jones' post about taking part in two debates on public art.

From Jones' post:

It's as if we have, as a nation, turned into the board of some big company commissioning a portrait of the managing director. Or, rather, a bronze statue of John Betjeman, or maybe a gigantic homage to a sprinter like Manchester's B of the Bang (bang and it's gone). Most of the public art we're putting up is worthless.

The best interventions in public space by artists are often confrontational and controversial, from Richard Serra's Tilted Arc to Rachel Whiteread's House. All good art is private before it is public. The secret to finding great art for public spaces – and, for that matter, great art to change attitudes to disfigurement – is to find talented artists who happen to be interested in working in that arena. Then let them indulge themselves.


Frankie Roberto has 3 ideas for how archives can get in on this social media stuff: open nominations for acquisitions, crowd-sourcing transcription, and child labour.


More awesome from the Brooklyn Museum: they've launched a complementary game to their original collection tagging game, Tag - You're It!

Freeze Tag!
encourages people to review tags that have been submitted by the public, but which have had their accuracy or relevance challenged. I've played quite a lot over the last four or five days, and it's both addictive and rewarding.


A really interesting article by Robin Cembalest in ArtNews about how museum and gallery directors are reviewing their physical spaces, exhibition displays, interpretation and more, in light of both the recession and the in-reach that the social web has encouraged over the last few years via Mia Ridge)


The Library of Congress releases one of Dorothea Lange's most famous images under the 'No known copyright restrictions' licence on The Commons on Flickr


The Obama family is shaking up the White House decor, selecting works by Robert Rauschenberg, Ed Ruscha, Jasper Johns and Josef Alpers for display.

Dorothea Lange, Destitute pea pickers in California, 1936. Library of Congress on Flickr

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