Sometimes a writer just goes to town on a (literally) tiny little subject, and it's a delight to read. To wit: Ian Brown for The Globe and Mail on the Art Gallery of Ontario's exhibition of miniature carved boxwood prayer beads.
Sarah Archer for Hyperallergic on the Philadelphia Museum of Art's exhibition of fashion made with Vlisco fabrics: How Dutch Wax Fabrics Became a Mainstay of African Fashion.
Jiayang Fan for The New Yorker on the private/public museums of Chinese billionaire art collector Liu Yiqian.
One of the funny things about taking over a public art gallery is that it somehow feels like you can't say 'Hey, actually, it's great as it is, I really look forward to contributing my own skills and point of view'. Instead, everyone expects you to change things. For example, this interview with the incoming director of the Dallas Museum of Art, who follows on from Max Anderson, who made massive overhauls in how the museum treats its visitors: New DMA director thinks Dallas’ flagship museum is art-rich but needs to change the way it relates to visitors. Having said that, I thoroughly endorse Agustín Arteaga's plan to introduce multi-language interpretation.