Charlotte Burns of Art Agency Partners gives Max Hollein, director of the Met, a good poking on repatriating taonga, the stats on women artists & the market & collections & exhibitions, ethics & governance, and the museum's one billion dollar package of capital projects.
Dropping this here because I'm still working cancel culture out but it's full of useful links: Osita Nwanevu for The New Republic, The “Cancel Culture” Con
And ticketing this one up for value-clashes: Massey University's statement on providing venue hire to a group called Speak Up 4 Women for an event called 'Feminism 2020' that throws the university's commitment to fostering free speech into opposition with its commitment to fostering a campus environment welcoming to all identities.
The latest from the MuseuPunks podcast: Decolonization and its Discontents featuring Sumaya Kassim and Nathan “Mudyi” Sentance.
A request from The Spinoff about gender diversity in exhibition programming circulated around public and private art galleries a couple of months ago - the outcome is Anna Knox's lengthy article Gender bias and art in Aotearoa: a Spinoff survey reveals the harsh reality which ends up focusing on dealer galleries and has some interesting insights / observations (and reveals data is indeed a slippery fish)
Aligned to the proposed re-definition of a museum by ICOM and growing focus on ethical leadership, in the NYT: Shareholder Value Is No Longer Everything, Top C.E.O.s Say:
Breaking with decades of long-held corporate orthodoxy, the Business Roundtable issued a statement on “the purpose of a corporation,” arguing that companies should no longer advance only the interests of shareholders. Instead, the group said, they must also invest in their employees, protect the environment and deal fairly and ethically with their suppliers.Kara Walker takes over the Tate's Turbine Hall
By me (cough, cough)