Mark Leidner, The River
The woman told me the saddest thing I had ever heard. I told her I loved her because of what she had told me. Her expression soured. She warned me not to love her for her telling me that. She told me it was okay, and maybe even good, to love her – only not for that. I responded that I did not love her for that, exactly, and that she had misunderstood me. I admitted that why I loved her was related to what she had told me, yes, but only tangentially, and was that alright? She asked me to elaborate, so I told her that I loved her, not for the thing she had told me, but for the courage involved in telling someone something like it, something that sad, which seemed to me to be a great deal of courage – and I told her I also loved her, though far less than for the courage part, although plenty still, for the way in which she told it to me, which I explained had been, in all seriousness, eloquent and mesmerizing. She had a small build and at that point she laughed like a flower, wilting and blooming. Her nose was in the center. I decided to show her the river. I picked her up in my hands and carried her, crisscrossing back and down through the steep and elaborate cragwork of the slope of the riverbank. When my feet were finally in the water I looked at her and said, the river is deep, and fast, and it drowns many people, but I still love it. I still love the river, I told her. But I do not love it because it is deep, and fast, and drowns many people. I love it because it runs behind my house, and I have lived above it forever.
[This poem comes via Hera Lindsay Bird, and her marvelous piece, 'Eight Contemporary Poets I Love And Two Dead Guys' (part one) (part two). You can hear Mark Leidner read 'Pearls Before Swine' on InDigest's Poem of the Day podcast/blog.]