ON WOMEN
Art Agency, Partners and Artnet News have partnered on a significant piece of research and publishing on women's place in the (American) art world. As the headline article states: Museums Claim They’re Paying More Attention to Female Artists. That’s an Illusion. Depressing and important reading.
In a similar vein - Emily Hartley-Skudder's pretty wrenching piece for The Pantograph Punch, The Power of the Pussy Bow: Fighting Back Against Rape-Art, recounting her experience on a recent residency in China, where another (older, male, European) artist made performance art about his attraction to Chinese women.
Fighting the good fight: Judy Chicago on Rescuing Women From Art History’s Sidelines.
ON PHILANTHROPY
This article makes me realise I'm definitely an incrementalist - and that I need to be mixed in with people who are not, in order to create change ‘We Don’t Need to Demonize Wealthy People’: Ford Foundation President Darren Walker on the Unnerving Aftermath of the Warren Kanders Protests
Philanthropy, but at what price? US museums wake up to public's ethical concerns - with comments from Daniel Weiss, Adam Weinberg et al
Second verse, same as the first How Rich Donors Like Epstein (and Others) Undermine Science (Wired)
FOR FUTURE REFERENCE
Curated resources on diversity, inclusion, accessibility and equity for libraries
On curating difficult ideas A Nazi Design Show Draws Criticism. Its Curator’s Comments Didn’t Help.
A call for cultural courage - a slightly odd direct email from Anne Pasternak, director of the Brooklyn Museum (maybe just odd because emails like this don't get sent out often by directors)
How Lonnie Burch built a museum dream team (a sampler from his new book on opening the NMAAHC)
Showing posts with label diversity. Show all posts
Showing posts with label diversity. Show all posts
Sunday, 22 September 2019
Friday, 26 July 2019
Reading list, 27 July 2019
In sponsorship, boards & ethics
Alex Greenberger for ArtNews: After Months of Protests, Warren B. Kanders Resigns from Whitney Board and ‘It’s Just the Beginning’: Art World Responds to Warren B. Kanders’s Resignation from Whitney Board
Elizabeth A. Harris for the New York Times: The Louvre Took Down the Sackler Name. Here’s Why Other Museums Probably Won’t.
Ben Davis for MOMUS: Where Do We Go From Here? Dubious Wealth and Ethical Funding
The Gray Market: Premature Evacuation: Why the Late Withdrawal of Eight Artists from the Whitney Biennial Ushers in an 'Asterisk Era' for the Art World
Darren Walker of the Ford Foundation on why museum boards must diversify
Bendor Grosvenor for The Art Newspaper on the National Portrait Gallery (London) and their ethical dilemmas around sponsorship & exhibition choices
In new museums
1 museum for every 39,000 people: South Korea's government-dictated museum building boom (partly funded by levies on entry fees)
The French Development Agency, the public funding group that supports the United Nations’ Sustainable Development Goals, will loan €20m towards construction of a new museum on Abomey, Benin, to house returned artefacts
In other stuff
Francis McWhannell reviews Mary Kisler's Frances Hodgkins exhibition for The Spinoff
Colleen Dilenschneider's latest touches on research showing local audiences have negatively skewed perceptions of the organisations in their area
Elizabeth A. Harris and Robin Pogrebin round up pay disputes happening across American museums for the New York Times
Four major non-profit foundations joined together to buy the archives of Ebony and Jet magazines at auction, to donate to the Smithsonian’s National Museum of African American History and Culture and the Getty Research Institute
Alex Greenberger for ArtNews: After Months of Protests, Warren B. Kanders Resigns from Whitney Board and ‘It’s Just the Beginning’: Art World Responds to Warren B. Kanders’s Resignation from Whitney Board
Elizabeth A. Harris for the New York Times: The Louvre Took Down the Sackler Name. Here’s Why Other Museums Probably Won’t.
Ben Davis for MOMUS: Where Do We Go From Here? Dubious Wealth and Ethical Funding
The Gray Market: Premature Evacuation: Why the Late Withdrawal of Eight Artists from the Whitney Biennial Ushers in an 'Asterisk Era' for the Art World
Darren Walker of the Ford Foundation on why museum boards must diversify
Bendor Grosvenor for The Art Newspaper on the National Portrait Gallery (London) and their ethical dilemmas around sponsorship & exhibition choices
In new museums
1 museum for every 39,000 people: South Korea's government-dictated museum building boom (partly funded by levies on entry fees)
The French Development Agency, the public funding group that supports the United Nations’ Sustainable Development Goals, will loan €20m towards construction of a new museum on Abomey, Benin, to house returned artefacts
In other stuff
Francis McWhannell reviews Mary Kisler's Frances Hodgkins exhibition for The Spinoff
Colleen Dilenschneider's latest touches on research showing local audiences have negatively skewed perceptions of the organisations in their area
Elizabeth A. Harris and Robin Pogrebin round up pay disputes happening across American museums for the New York Times
Four major non-profit foundations joined together to buy the archives of Ebony and Jet magazines at auction, to donate to the Smithsonian’s National Museum of African American History and Culture and the Getty Research Institute
Labels:
boards,
diversity,
ethics,
museum building,
patronage,
Reading Lists,
repatriation,
sponsorship
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