Showing posts with label hi-res images. Show all posts
Showing posts with label hi-res images. Show all posts

Tuesday, 29 March 2011

Hoo-fricking-ray


Congratulations to LACMA, who have started releasing great big hi-res images of public domain works in their collection for unrestricted use.*

They join all the institutions who are releasing photos through The Commons on Flickr and the V&A and British Museum who offer free self-service downloadable images to qualifying users and publishers.

I've heard whispers lately that picture libraries in cultural organisations don't generate much revenue. I'm *not* saying they don't do a good and useful job, getting people to the images they want, getting people copies of those images and - some - helping with the copyright process. But the cost models - where you pay the same amount for an image that's already been digitised and to get an analogue item digitised, where you pay the same amount for delivery on a CD and delivery by FTP, where you're paying for someone to process your form when really a database can handle the job (or you could just face up to the right-click facts of life) - are broken.**

So how can we refactor picture libraries to focus on the good stuff - getting people to things and helping them use them - and take the focus off the dull stuff (forms and CDs)? I'd love to see some NZ institutions makes it as easy as LACMA, the V&A and the British Museum.

*with the caveat that you use them at your own risk and request that you acknowledge LACMA and trust me - I've written these pages, and that's as close as you're going to get to an institution singing a rousing chorus of born free, as free as the wind blows, as free as the grass grows ...

** user testing on a project I'm currently working on recently showed that some people assume if you can right-click and save a copy of an item, that means it's copyright-cleared. Now, that's interesting.

Wednesday, 7 February 2007

Today's reading

A new essay on Yvonne Todd's work.

Justin Clemens - Uneasy Glamour - IMA website

The essay accompanies Todd's show at the IMA, Blood, In Its Various Forms (incorporating Meat And Liquor) which opens on 10 February. The exhibition includes work from three recent series; 'Vagrants’ Reception Centre', 'Blood, In Its Various Forms', 'Meat And Liquor'.

The essay doesn't say a lot that's new about Todd's work. But it's nice to see it up online (although a PDF as well as the webpage would have been useful).

I'd love to see more galleries in New Zealand making catalogue essays available online - surely the benefit of having this writing out there (for the local and international web public, for teachers and students, for the galleries' and the artists' reputations and search engine hits) far outweighs the possibility you might sell a few less catalogues.

Friday, 26 January 2007

Up close


One of the challenges we're facing with our website redevelopment at work is how to maximise the presentation of images of works in our collections - from maps to miniatures to panorama photos to pots.

Someone recommended the FAMSF's (Fine Arts Museums of San Francisco's) ImageBase to me last night, for its zoom functionality.

FAMSF ImageBase

ImageBase uses Zoomify, a Flash-based application, to display high-resolution images online. The image quality is fantastic. Zoomify is also being used by the Library of Congress and the Getty.

One of the other interesting things about ImageBase is that they've employed descriptive keywords in their search functionality. So in addition to searching by typical cataloguing terms, like artist name, or date, or medium, you can search by the kind of words that you might use to describe the work less formally - the work at the top of the post, for example, has key words including stylish, leggy, young, clad and loosely - all good words for John Buckland Wright.

Image: John Buckland Wright, Jeune Fille Accroupie, 1929. Wood Engraving. Achenbach Foundation for Graphic Arts. See more details here.