Let us roll all our strength

For the second year in a row, my favourite session at KiwiFoo Camp was run by the extraordinary Robert Neale. This year Robert blew the room away by reciting then helping us unravel a selection of love poems.

Here's what we heard (and if I've missed anything, please let me know - @auchmill):

Shakespeare's Sonnet 18

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate;
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou grow'st:
    So long as men can breathe or eyes can see,
    So long lives this, and this gives life to thee.

Shakespeare's Sonnet 116

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
    If this be error and upon me proved,
    I never writ, nor no man ever loved.

Shakespeare's Sonnet 130

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
    And yet, by heaven, I think my love as rare
    As any she belied with false compare.

In response to which, Tim O'Reilly  mentioned Richard Wilbur's Praise in Summer: "Then I wondered why this mad 'instead' / Perverts our praise to uncreation."

Shakespeare's Sonnet 138

When my love swears that she is made of truth
I do believe her, though I know she lies,
That she might think me some untutor'd youth,
Unlearned in the world's false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false speaking tongue:
On both sides thus is simple truth suppress'd.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
O, love's best habit is in seeming trust,
And age in love loves not to have years told:
    Therefore I lie with her and she with me,
    And in our faults by lies we flatter'd be.

Andrew Marvell's To his Coy Mistress

Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down and think which way
To walk, and pass our long love's day;
Thou by the Indian Ganges' side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood;
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.

    But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv'd virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave's a fine and private place,
But none I think do there embrace.

    Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may;
And now, like am'rous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapp'd power.
Let us roll all our strength, and all
Our sweetness, up into one ball;
And tear our pleasures with rough strife
Thorough the iron gates of life.
Thus, though we cannot make our sun
Stand still, yet we will make him run.

Sonnet 138 made me think of Philip Larkin's Talking in Bed

Talking in bed ought to be easiest,
Lying together there goes back so far,
An emblem of two people being honest.

Yet more and more time passes silently.
 Outside, the wind's incomplete unrest
Builds and disperses clouds in the sky,

And dark towns heap up on the horizon.
None of this cares for us. Nothing shows why
At this unique distance from isolation

It becomes still more difficult to find
Words at once true and kind,
Or not untrue and not unkind.

And in the session, Tim also quoted from Yeat's Brown Penny

Ah, love is the crooked thing.
There is nobody wise enough
To find out all that is in it.
For he should be thinking of love
Till the stars had run away
And the shadows eaten the moon.

And given that it is the season, the Guardian's selection of love poems made by contemporary writers (including some of my beloved Thomas Wyatt) makes wonderful follow-on reading.

Reading and driving

Apologies for the lengthy gaps between posts. February - with KiwiFoo Camp, Webstock, life, work and radio - is always a bit of a squeeze.

Over the weekend I had the privilege of attending KiwiFoo Camp, a gathering of about 170 people from fields as diverse as farming to psychology to product design. It was my third year attending, and as stimulating and eye-opening as ever. My particular revelation was Tim Bell from University of Canterbury and his Computer Science Unplugged work, which I'm hoping to write up on my work blog shortly.

One of my favourite sessions was one I co-ran with Nat Torkington; a simple session where people in the room simply make book recommendations. I've been to or run three or four of these sessions in the past 6 months with different groups, and I find the overlap and the idiosyncrasies fascinating. I've collated almost all of the recommendations into a list on Goodreads. The one missing item is The Pitcher and the Well, a memoir of an anonymous RNZAF navigator recorded as he lay dying of wounds in a German POW camp during WWII. However the full text is available online.

Later today I'll be on National Radio's Nine to Noon programme in my usual fortnightly art slot. I'll be talking about Google's Art Project and, if I get time, the ways Google Earth have been used for archaeological research. These are the links I've provided for the show

The Google Art Project site

Google Art Project YouTube channel

Roberta Smith on the Google Art Project, New York Times

Alastair Sooke on the Google Art Project, The Telegraph

Google Earth

New Scientist article on archaeologists using Google Earth

National Geographic article on archaeologists using Google Earth