Showing posts with label peter peryer. Show all posts
Showing posts with label peter peryer. Show all posts

Thursday, 27 September 2007

Hitting his straps

I've been watching Peter Peryer's visual exploration of Southland with interest. One of the things I like most about his work is the (sometimes unconscious, I think) returning to constant motifs - hence why these two recent images caught my eye:




Completely unrelated, yet somehow salient, a recent work by Kobi Bosshard from the current Fingers show. he has a similar necklace on show at Avid in Wellington currently, which reminds me of bridge architecture (engineering? design? is there a proper word I should be using here?).


Images: from Peter Peryer's blog and the Fingers website

Monday, 27 August 2007

Physics Room announces new director

Christchurch freelance writer Kate Montgomery has been announced as the new Physics Room director, proving Best of 3 was way off.

In other news - welcome back to the blogosphere Peter Peryer - please post again soon.

Wednesday, 8 August 2007

John Johns (and others) at the Adam Art Gallery



Several years ago at the McNamara Gallery in Wanganui I saw an exhibition of photographs by John Johns, the New Zealand Forest Service’s official photographer for more than three decades.



Johns' photos are just astounding. They reminded me very strongly of Peter Peryer's work, when he sinks you so far into the texture and pattern of what he's showing you that you lose track of what you're looking at and are simply absorbed in the looking.



A selection of Johns' photos feature in Tina Barton's second show at the Adam Art Gallery at Victoria University. 'Primary products' opens on August 11, and "teases out new connections between the facts of New Zealand’s emergence as a modern industrial nation and the history of art that accompanies this, to try to determine the nature of the relationship between modernisation and modernism in this country."

Images: these photographs and more by Johns can be seen on the McNamara Gallery website .

Friday, 18 May 2007

Today's new feature

In the right-hand sidebar, I've added a widget providing recent feeds from Over the net, ArtWorld Salon and Peter Peryer. Enjoy.

Monday, 2 April 2007

Eat your heart out , Bill


Actually, I can imagine Peter Peryer being drawn to this project as well. As artist-in-residence at the Baltimore Museum of Industry, photographer Catherine Wagner had access to their collection of 50,000+ historical light bulbs, dating back to the early 19th century. The works are now on show at the Stephen Wirtz Gallery in San Francisco.


Thursday, 4 January 2007

I think I'm in love


I've written before about how much I enjoy Peter Peryer's blog. Now, courtesy of Tyler Green's contribution of his top 10 art blogs for the Walker's year in review posting, a new favourite ... Alec Soth.

Soth is a photographer based in Minneapolis, Minnesota. I'm not about to venture an opinion on his work yet, having not spent enough time sifting around on his site. However, having read a few of his posts, I can see this is going to become a regular read, for the same reason I visit Peryer's blog - to be able to see photography (and the world) through someone else's passionate eyes.

Beginning December 17, Soth declared it 'snow week' on his blog, waiting for the arrival of a white Christmas. For the next few days he discussed the work of photographers who have worked with snow, in various ways. I particularly liked this post, about photography, science, poetry and the work of David Goldes, a photographer who for Soth brings together this things. That's a photo by Goldes at the top of this post.

Another post I really enjoyed was Soth talking about being asked for permission to reproduce his work on the covers of books. He points to a website, Covering Photography, made for the study of the relationship between the history of photography and book cover design, and makes some interesting observations about covers, author photos and the New Yorker.

Image: David Goldes, Rain on flour, from Alex Soth's blog.

Wednesday, 13 December 2006

Kiwi madeleines


Photographer Peter Peryer is posting at the moment about the influence that the School Journal publications exerted on him as a child, and matching up some of his work with E. Mervyn Taylor's woodcuts, which appeared regularly in the Journal.

Peter Peryer's blog

My main memory of the School Journal is the cringing embarrassment of having to perform the plays during assembly.

There will be general opportunities for reminiscing about the Journal next year; it's the publication's centenary, and Greg O'Brien and Jenny Bornholdt will be organising an exhibition to mark this at the National Library Gallery, Wellington.

National Library of New Zealand

Image: E. Mervyn Taylor, Keruru 1947. Woodcut.

Thursday, 7 December 2006

A reliably good read


Peter Peryer is both one of my favourite photogrpahers, and one of my favourite bloggers. I think he uses his blog as a way of mastering the tyranny of distance - he's based in New Plymouth, one of New Zealand's bigger smaller towns, and home to the Govett-Brewster Art Gallery. Peter's blog is one the links to the right also, but here it is again:

Peter Peryer's blog

I'm really interested in the way the blog operates as both a marketing tool and a biography.

Peter has a show opening this week at the McNamara Gallery in Wanganui, one of New Zealand's other bigger smaller towns, although thanks to the tender ministrations of the Wanganui City Council, the local gallery - the Sarjeant - is in not nearly as good a shape as the GBAG.

Peter's show - McNamara Gallery
Govett-Brewster Art Gallery
Sarjeant Gallery

Image: Peter Peryer, Claw, 2006. Silver gelatin print.