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Photograph by Richard Barnes from 'Animal Logic', Princeton University Press |
Few things are more alluring than behind the scenes access to museums and galleries. My favourite view of an exhibition is always when the wrappings have come off and the works are leaning on sponge blocks against the walls, and you can squat down in front of them and get nose to nose in this totally unfamiliar way.
A recent book by American photographer Richard Barnes documents
amazing storage and installation scenes in natural history museums. They reminded me, of course, of Neil Pardington's
The Vault series, and Laurence Aberhart's
photographs of the pre-merger National Museum.
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